Rapidshare final cut pro x 10.0.3

Multicam functionality is intelligent enough via the underlying metadata structure to be able to dynamically identify multiple takes from the same camera and drop them sequentially onto a multicam track—something that is utterly amazing.

It does not end there. In addition, FCP X allows multicam projects to handle cameras with different codecs, image rasters, and frame rates, without conversion. You can change, add, or delete camera angles at any time and work with different codecs, frame sizes, and frame rates without conversion. Alongside the major upgrades to FCP X Relinking of previous FCP X projects brings up this new dialog box, so you know that you are moving forward.

This was one of those items users expected to be in the inaugural release, and which evoked disgust when it was not. That capability has returned in this new version, and it will surely inspire a collective sigh of relief.

Advanced chroma keying The keying functionality in the initial release of FCP X was pretty good—and better than FCP 7 ever was, but Apple saw an opportunity to make it even better. FCP X So editors can create and deliver at the speed of thought. The Magnetic Timeline allows you to easily experiment with story ideas by moving and trimming clips without collisions or sync problems.

Use Compound Clips to bundle separate video and audio clips into a single movable package, create Auditions to try out multiple takes in the timeline, and use Synchronized Clips to align video with second-source audio automatically. Color coding makes it easy to identify different types of content, with the ability to customize the look of your timeline while you edit.

Final Cut Pro offers the most advanced organizing tools of any professional video editing application. Easily tag entire clips or clip ranges with metadata for searching, and create Smart Collections that automatically collect content according to a set of custom criteria. In the browser you can now create and save custom column views and search for media using clip names, markers and notes. Also quickly sort clips by proxy, optimized or missing media types.

Create 2D and 3D titles right in Final Cut Pro, apply and modify filters, and use the built-in chroma key for high-quality green- and blue-screen effects. Expand on the built-in effects with thousands of third-party tools and templates. And for even more control, use Motion to create stunning titles, transitions, generators, and effects you can access from Final Cut Pro.

Learn more about Motion. Final Cut Pro lets you edit multichannel audio using built-in tools for removing background noise and optimizing levels. Adjust multichannel audio files in the timeline or open the inspector for more information and options. Choose from dozens of bundled plug-ins for audio compression, EQ, and more — or send to a professional audio application like Logic Pro for advanced audio mixing. Learn more about Logic Pro. And batch exporting makes it fast to deliver multiple files or projects in multiple formats.

You can also use Compressor to create custom export settings that appear right in Final Cut Pro. Learn more about Compressor. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips. Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro.

Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. Learn more. Use keyframes to adjust corrections over time, and apply camera and creative Look Up Tables LUTs for the perfect look. Unique color wheels improve on traditional controls by combining hue, saturation, and brightness into a single, simple interface.

Color and luminance curves allow ultrafine level adjustments with multiple control points to target specific color and brightness ranges. Sample a color with an eyedropper and change just the hue, saturation, or luminance of a specific color within the image.

Work closer to reality than ever before with HDR video. Fixes an issue where a custom camera LUT could be ignored during a render or export. Fixes an issue where a ProRes file lost its alpha channel after export. Fixes an issue where scroll bars were not persistent when choosing to always show scroll bars in System Preferences. Fixes an issue where thumbnails were not generated for some clips in the browser or timeline. Fixes an issue where custom role colors would not change after choosing Undo.

Improves appearance of animation paths when using the transform tool. Audio skimming Shift-S now toggles on and off when using the keyboard arrow keys to step through frames. Fixes an issue where pops could occur during MP3 playback.

Improves reliability of MXF audio during playback. Adds support for playback of Opus audio files. Fixes an issue where audio waveforms would not redraw after an audio level change. Improves reliability when importing an XML that includes closed captioning.

Improves stability when playing H. Search for media in the browser using expanded criteria including clip names, markers, and notes. Sort clips in the browser according to type, including proxy, optimized, and missing media.

Fixes an issue where adjusting audio keyframes on one side of a blade edit shifts keyframes unexpectedly on the other side. Restores support for copying clips from the Finder and pasting into the timeline. Improves stability when copying events in the browser to a library stored on an external hard drive. Fixes an issue in which the timeline index was not displaying active angle information for multicam clips.

Fixes an issue with the Color Mask in which dragging to select a range with the eyedropper did not display the selection circle. Improves reliability when using the Select Next Clip command. Improves reliability when app switching to Final Cut Pro with an external hard drive connected. Improves reliability when quitting Final Cut Pro during a background render. Improves stability and performance when working with multicam clips that contain corrupt media.

Fixes an issue in which audio waveforms would sometimes not update when using the Trim tool to perform a slip edit. Improves stability when playing back H. Fixes an issue in which text could disappear when double clicking a value field in the inspector. Fixes an issue that may prevent custom Motion titles stored inside the library from appearing in the Titles browser.

Includes stability improvements. Option to create a copy of your library and automatically transcode media to ProRes Proxy or H. Fixes an issue in which LUTs were not available in optimized or proxy clips. Improves appearance of HDR thumbnails in the browser and timeline. Improves reliability when previewing built-in sound effects in the browser. Fixes an issue in which audio waveforms would not update in the inspector after adding a filter or making a volume change.

Fixes an issue in which chapter markers were not available when sharing. Improves reliability when creating proxy media from non-square pixel interlaced clips. Improves stability when applying stabilization and color balance during import. Fixes an issue in which audio sync could drift when retiming clips. Improves reliability with Social Media content positioning when using Smart Conform to switch between vertical and horizontal frame sizes.

Improves reliability when using onscreen Crop controls in the viewer. Fixes an issue in which copying stills between libraries would result in duplicate files. Fixes an issue where brightness levels shift when switching between Better Quality and Better Performance in the viewer. Fixes an issue in which effect keyframes are not added correctly when using onscreen controls.

Improves stability when using the transform tool with multiple clips in the timeline. Addresses an issue which could prevent sharing at certain resolutions. Fixes an issue in which sharing a Compound or Multicam clip from the timeline was disabled. Choose to create proxy media in either ProRes Proxy or H.

Choose to display original or optimized media if proxy media is not available for some clips in your project. Create a proxy-only copy of a library to reduce size for portability or performance. Now you can manually relink event clips and project clips to media files.

Manual relinking gives you more control over your post-production workflow. For more information, see Relink clips to media files in Final Cut Pro. Layered graphics files, such as Adobe Photoshop PSD files, can now be edited so that each layer appears as a connected clip in the timeline.

See Edit layered graphics files.